Category Archives: Uncategorized

Stocking Stuffers

For those of you looking for the perfect stocking stuffer, might I suggest 15 Views of Orlando (the book for which I served as the humble editor)? I get no kick-backs from sales. All proceeds go to benefit the Urban Think Foundation, and Page 15 (the literacy organization under the foundation’s umbrella), and it’s gotten some great recent reviews.

Check out what The Nervous Breakdown, and [PANK] had to say about 15 Views of Orlando.

And if you’re still looking for stocking stuffers, check out my other book recommendations at the Urban Think page here. (Click on “Burrow Press” to see my picks.) Extra incentive: purchases made by clicking on these links will result in proceeds for the foundation, also. So buy some books, and then feel good about yourself!

Oh, and then there’s this, too: The Way We Sleep, a beautiful coffee table book full of essays, stories, interviews, and comics, is still available at Black Friday prices here (10 bucks). I’ve got a comic collaboration with Ben Tanzer in this anthology, but there are many artists with far more talent who contributed. Check it out!

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Also, check out the latest installment in my comic adaptation of Alex Kudera’s Fight For Your Long Day here at Atticus Review, and then go buy a present for a poor, underpaid adjunct teacher.

Book Fairs!

When I was a kid, the words “book fair” meant only one thing: my parents would give me twenty dollars, and–during some prescribed hour of the day–our elementary school classroom would be walked (single-file, remember) to the media center, where we would find a fenced-in compound of for-sale kids’ books. They were colorful. They were lightweight. They were arranged by age, so that we (the third-graders) could sneer at the all-picture books of the kindergarteners, or marvel at the no-picture books of the 5th-graders.  I would come home with a stack of books, simultaneously excited at having scored so much loot, and terrified at now having to read it all.

The book fairs have changed now, of course, but the overall experience has not.

In the past few months, I’ve been to writing/ reading/ book conferences in several cities, from the Florida Writer’s Conference here in Orlando, to the Other Words Conference in St. Augustine, to the lit-nerd nightmare of the AWP Conference in Chicago. (There is a frightening stack of books on my coffee table right now that I might never be able to finish.)

And I actually had the chance to take my 3-month-old son to his first book fair, the UCF Book Festival, just a few weeks ago.

Yes, that’s Jackson up above, tugging on the Cat in the Hat’s bowtie.

His experience will someday mirror my own, I’m certain, and he’ll have stacks of Roald Dahl books, and maybe his own copy of The Curse of the Blue Figurine, and How to Draw Comics the Marvel Way, and all that. But…well, his first book fair didn’t quite go the way I planned. The bright lights, the screaming children, the Dr. Seuss characters bopping around…yeah, Jackson was crying pretty hard by the time we got through the kid’s section, so we high-tailed it out of there.

And this past weekend, when visiting my parents for Easter Weekend, I got to walk through the Venice International Book Festival. Jackson came along, also, and the experience wasn’t quite so traumatic…this time, it was just a few older women running up to him (no crazy costumes) to tickle his chin.

The Venice Book Festival was by far the smallest of the book fairs (AWP had over 10,000 registrants, and thousands of journals and publishers, and the UCF Book Fest was held on the floor of the school’s arena and packed with children’s publishers), but there was something endearing about the way that I heard local residents talking about it. Venice is no stranger to art festivals or food & wine festivals, but this was the first time that anyone in the city had actually organized a festival dedicated entirely to books. I don’t want to go so far as to make any grand pronouncements about the future of print, or online publishing, or the Kindle, etc. Those sorts of pronouncements and arguments are best saved for the AWP Conference, where there are nearly 1,000 total panels dedicated to beating the subjects of writing/reading to death, then beating some more. No, the Venice festival has no relevance to those arguments. It was just…nice. It was nice to see a few tents gathered on one small road, and a couple readings and lectures delivered in the nearby Venice Theater building, and a community that–despite the hyperbolic name of “international book festival”–had no higher ambitions than to buy some books, sell some books, and read some books. There were no agendas, other than raising money for a local literacy group.

Interestingly, I also got to see my father on the news that afternoon (he’s the mayor of Venice), standing in the middle of the street and talking about how great it was to see the community celebrate reading and literacy, and add another fun festival to the town’s list of cultural events. To be absolutely frank, I don’t think I’ve ever really heard my father talk about books before; occasionally I buy him a book for Christmas, and I’ve come to recognize the titles on the spines on a hundred leather-bound books in his office, but I’ve never seen him out at the pool reading, or in the living room on a rocking chair with a book in his lap. Until he ran for mayor, he was always a numbers man, an investment banker who read business news and stock tickers, but (as far as I know) no fiction or poetry or even biography. And yet here he was, speaking genuinely about the community’s need for events such as this one, and expressing real joy at the town’s warm reception for the festival.

To be frank, my own books wouldn’t have sold at the Venice International Book Festival. Most of the booths were selling kids’ books, or WWII memoirs, the sort of stuff that goes over pretty well in a retirement community like Venice where grandmothers leave the festival with stacks of new books for their grandbabies (my mother came home with quite a few new books for grandbaby Jackson!), and there probably wasn’t a foul word in any of them. The Venetians would have read a single page of my stuff, and they would have tossed it aside. And at the time, walking through the festival, that was my first thought: I don’t belong here.

But that isn’t the point, and I feel just a bit ashamed for having that thought at the ready during my time in Venice. It wasn’t about me. It was about books. Books, books, books. And it was about them: everyone else. For everyone else at the Venice festival, it was about reliving that feeling that from third grade, twenty-dollar bill in hand, unleashed in the colorful playpen in the middle of the media center, the world around you opening brighter.

There’s nothing quite like that feeling. And though I’m now tougher to please with my own literary tastes (and I’ve got to go to gigantic airport hangars to have my fill of books), it was good to see the city of Venice get that feeling back.

Peeling

Today is my newborn son’s three-month birthday.

For anyone who has never been pregnant, or has never had a child, maybe this doesn’t sound impressive. But trust me: when you’re a father, every step of the journey is an important one, a memorable one.

Even the pregnancy itself is fraught with drama and tension, some of it very positive (boy or girl?), some of it nerve-racking (when are we going to get pregnant? will we have a healthy child?), and while it might seem very ordinary to outsiders, it can definitely put a strain on the individuals in a relationship.

On that note, I thought I’d share a quick writing update that coincides perfectly with my son’s three-month birthday. I’m grateful to Necessary Fiction for publishing this piece, a short story called “Peeling,” which is my best effort at capturing the real emotional strain on a couple who has difficulty getting pregnant.

It’s also about beer. Craft beer. Microbrews, from Cigar City in Tampa (my favorite) to Sweetwater in Atlanta.

Hope you enjoy the story. It’s the most honest I’ll probably ever get about the journey toward pregnancy and having a child.

The story is here.

New e-book collaboration with Lindsay Hunter!

The folks over at Artistically Declined Press have been doing some great things in print and online, including a full catalogue of short pdf e-books. All are free, and all can be easily downloaded and then added to your Goodreads shelf.

Recently, I was able to do a comic collaboration with the always-entertaining Lindsay Hunter (scroll down on my blog and you’ll find a “review” I wrote of her book Daddy’s). The story is called “Kitty,” and I tried to adapt it into a children’s book, with the main character looking almost like a Dr. Seuss creation. He’s not quite human, not quite dog, not quite bear…just sort of fuzzy and odd. But because Lindsay Hunter writes some gritty (and sometimes dirty) stuff, I thought I’d make the children’s book extra-dirty too. So it’s a one-of-a-kind collaboration and comic, a dirty twisted filthy children’s book that you would never want your children to read.

Check it out at Artistically Declined! Remember, it’s a free download, and you can add the book to Goodreads and write a review.

Kitty

(If you’ve only stumbled across this site because I write about Eminem, do me a favor and support some of my other work. It’s just a quick click and download. Costs you nothing, and you’ll hopefully be entertained!)

A Round-Up of Updates

Got a lot of cool links to share:

First, a fantastic review of 15 Views of Orlando at Saw Palm, the literary journal of the University of South Florida. The editor of the journal, John Fleming, is fantastic, and he’s working hard to cultivate literary community in the Tampa Bay area (much like Burrow Press in Orlando). It’s an extremely well-written and thoughtful review, so I would have been stoked no matter if it was positive or negative, but I’m extra-stoked that it’s positive!

(As a side-note, remember to order your copy of 15 Views from the Burrow Press web site. All proceeds go to support writing workshops for public school kids in Orlando.)

Next up: check out my story “Angela’s Baby” at Hobart online. I had the pleasure of meeting editor Aaron Burch at AWP this past weekend (and actually, we served on a graphic narrative panel together), and–though I didn’t know him when I submitted to his journal–our encounter made me even more proud to appear in Hobart. It’s an amazing publication, highly creative, and I bought several of the books from their innovative Short Flight/Long Drive book imprint (one is structured as a composition journal, and another as a passport). I also learned that their recent issue just had two stories selected for this year’s Best American Short Stories anthology. Two stories from the same issue. Unbelievable. The hype is high, and I’m excited to start reading all the material I scooped up from their bookfair table. To be completely honest, if I’d have known all of this before I submitted a story to Hobart, I probably would’ve been too intimidated to submit.

And hey: while I haven’t been posting new blog entries every month for new installments of “Clutter,” I figured now was as good a time as any. “Clutter” (my graphic narrative structured as a home decor catalog) just hit episode #7, and things are about to get pretty rough between the happily married couple who just purchased their first home together. If you haven’t been reading, then…well, I guess you’d better start!

And finally: I have a “Reading List” here on my blog site, just to remind myself of what I’m reading, and when, and any thoughts I decided to record about the books, but now I’ve also got a recurring essay series on my reading life at Burrow Press. It’s called “Reading Books While Burping My Baby,” and I take a look at how my own reading habits and preferences have changed since the birht of my son in early January. In the first installment, I discuss (among other things) Roxane Gay’s Ayiti, Ryan W. Bradley’s Prize Winners, Ben Tanzer’s Most Likely You Go Your Way And I’ll Go Mine, Artifice Magazine, and The Best American Non-Required Reading 2011. It’s an adorable premise, isn’t it? I mean, seriously. A man and his baby? You’d have to be heartless not to follow that link.

The Less United States of Kudera

Not everyday you get a shout-out from a writer you really admire. Many thank to you, Alex Kudera!

The next installment of my comic adaptation of Kudera’s novel Fight For Your Long Day is not due for several weeks, but in the meantime, make sure to order a copy of his book and see the story in its original form.

Favorite Fiction Writers

Was just reading through an interview on Duotrope’s Digest with the poet J Bradley, and saw that I was mentioned under his list of favorite fiction authors. That’s the sort of thing that really brings a smile to your face…unexpected, and a cool compliment. Thanks, Mr. Bradley!

Fight For Your Long Day, a comic adaptation

I’ve been hard at work adapting Alex Kudera’s very funny/sad novel, Fight For Your Long Day, a satire of the employment structure for teachers in the university setting. It’s an important book, and one that just keeps building and building in support. My comic adaptations are generally short, just a chunk of a chapter at a time, and will appear monthly at Atticus Review. Check it out here!

The Gift, a comic adaptation

Check out my latest comic adaptation, over at LITnIMAGE. I worked with the mighty Ben Tanzer, a Chicago indie-lit god, on his short story “The Gift” (which was originally published at The2ndHand). Check it out at the link here, and let me know what you think. This is probably my favorite comic adaptation I’ve created so far, so hopefully you’ll dig it.

15 Views of Orlando – RELEASE PARTY!!!

The above subject heading uses three total exclamation points, which–in the words of my old mentor Jeanne Leiby–is the lifetime total allowed to a writer. And man, I used them all at once.

But the subject certainly calls for some exclamation points.

If you didn’t know (i.e. you don’t ever talk to me, or you don’t follow my facebook status updates, or you just randomly stumbled upon this blog), I’ve got a brand-new book coming out: it’s an anthology called 15 Views of Orlando, and it’s an attempt at finally offering an honest portrayal of the city of Orlando in literary fiction. I assembled 15 Orlando fiction writers to write one long loosely-linked story that wanders through our fair city, and the result is indeed impressive and surprising. (I love me some self-congratulation.) And because Orlando writers love our community, all proceeds from book sales will directly benefit Page 15, a literacy non-profit which conducts writing workshops for Orlando public school kids. If you don’t live in Orlando, buy a copy of the book and feel good about your purchase supporting a great cause. If you do live in Orlando, you need to get to our release party.

Details of the release party follow here, in a blog post from Burrow Press publisher Ryan Rivas:

Remember: we’ve got a huge book release happening in exactly one week.

That would be the 15 VIEWS OF ORLANDO book release:

Tuesday, JANUARY 31st
6pm to 9pm @ Urban ReThink
625 E. Central Blvd.
 
In addition to photography, booze, and music, there will be readings by: J. Bradley, Hunter Choate, Ashley Inguanta, John King, and J. Christopher Silvia, at 7:30pm.Folks who pre-order 15 Views for pick-up, or purchase 15 Viewsat the event, will be able to buy other BP books for $5.

15 Views editor Nathan Holic, and authors Hunter Choate and J. Christopher Silvia, were recently interviewed on WMFE’s Intersection. You can listen to that interview and excerpts from the book here. Pre-order the book while you’re at it. There’s no better way to support what we do; and, in this instance, the profits from the book are going to benefit Orlando kids.

 Whether you can make it to the party or not, please spread the word.