Tag Archives: Lindsay Hunter

The Reviews Are In…

I’ll be flying to Chicago tomorrow to say goodbye to a much-loved uncle. I write a great deal about the struggles and difficulties that we face when attempting to be “the right kind of man” in a culture that’s tugging us in a thousand different directions, a thousand different conceptions of manhood, and I should say that my uncle was definitely one of those guys who epitomized everything you’d want in a man, a family member, a father, and he didn’t even make it look tough. Great man, and we’re all going to miss him.

I’d planned to write a couple posts over the last two weeks to spotlight some different Nathan Holic links and interviews, etc., but the virtual world of my blog has to take a back seat to the real world. I figured I’d gather these links into a single blog post, and post them into various pages throughout this site, and boom: you’ll have them all in one place, and I’ll still catch my flight.

So what’s happening? What’s new for me?

“Don’t Critique Me”: I read with Chicago author Lindsay Hunter at Functionally Literate in downtown Orlando this past Saturday. The video should be available soon, and I’ll post it when it’s up (Lindsay was freakin’ awesome). We were old grad school cronies, too, so in anticipation of the event, I wrote an essay for the Burrow Press blog in which I found my old fiction workshop critiques for her stories, and then critiqued my own critiques. Check it out here. If you’re a Lindsay Hunter fan, you should also check out The Drunken Odyssey’s podcast interview with her, which was recorded directly before the Functionally Literate event.

Review in Scene Sarasota: Sarasota’s arts & culture magazine, Scene Sarasota, just ran a great review of 15 Views of Orlando in their September issue. They wondered if there would ever be a “15 Views of Sarasota,” to which I can only tell the online world: if there’s a demand for it, we’ll do it. But you’ve gotta let us know. And you’ve gotta get Stephen King on board.

Interview at Knightnews: I spent about an hour talking with the folks from Knightnews.com, the online news hub for University of Central Florida students. It’s an attractive site, very multimedia heavy, and I got the chance to talk about American Fraternity Man, the culture of the National Fraternity, the hazing and alcohol culture at campuses across the country, and my own thoughts on both student and administrative successes and failures. It’s a video, so watch on the device of your choice.

American Fraternity Man reviewed: the first reviews of AFM are in, and while I’m always nervous/anxious for each one, I’ve been really happy with what folks are saying about my book. Here are some quick quotes and links:

“This book is hard to put down…It is a reminder of the complexities of this system, but most importantly a reminder that, at the core, relationships and influence are the most important and most effective tools we have when developing students. American Fraternity Man is everything you love and hate about fraternity life. It is a great story for anyone who knows what it is like to be miserable, challenged, and still love their job.”- Association of Fraternity/ Sorority Advisors, “Essentials” Newsletter
“American Fraternity Man is many things at once–funny and tragic, pro-Greek and anti-frat, bildungsroman and travel narrative, indictment of whiney millenials and the adults who made them that way. For GDIs (I’ll let you read the book for a translation of that abbreviation), the novel is a window into a world that is often misunderstood, even hated, but whose inhabitants are no less human, whose stories are no less worthy of telling.” – Dianne Turgeon Richardson, Sundog Lit
“I feel that all college students should take the chance to read this book…This book was an eye-opener to me…” – Books With Bite
Okay, so that’s the link round-up for this week!
It’s awesome to get great reviews, but I’ve gotta tell you: it’s just awesome that people are reading the book. So if you’ve been to any of my readings lately, or if you’ve picked up the book, or if you’ve finished plowing through it: thank you so much. I don’t take any of this for granted, and I appreciate any support you’ve given me.

Functionally Literate

functionallyliterate

(Hope to see you there! Super-stoked about this, especially because it might very well be the last reading at Urban ReThink. So come. Be part of history.)

Marketing My Writing Part IV: Blurbs

It is with great pride that I submit to you the following statements about American Fraternity Man, written by authors for whom I have tremendous  respect:

The culture of Greek life is both skewered and embraced in this take-no-prisoners coming of age novel from debut author Nathan Holic. Here, you’ll meet one character who has reached the conclusion that goodness is just and that evil is easy to spot. But for Charles Washington, the dynamic hero of this compelling story, right and wrong are slippery things. In the end, it’s a pleasure to tumble into Charles’ world, even as we watch that world pulled out from under him. American Fraternity Man is, at once, satire and seriousness itself. But, more than anything, it is a compulsively readable book, a thrilling ride, beginning to end.

-David James Poissant, author of The Heaven of Animals

Nathan Holic writes with the precision and confidence of a true badass. Hide your valuables and DIG IN.

 -Lindsay Hunter, author of Daddy‘s and Don’t Kiss Me

In a transnational tour of the college scene, it’s Man versus the Fraternity World, and even the parents are too drunk to drive. Nathan Holic offers a fast-paced and multifaceted look at campus Greek culture and what it might take to effect change from within.

-Alex Kudera, author of Fight For Your Long Day

Three simple statements, and they appear unassumingly enough on every press release for my novel, tucked into a corner or a margin or a final paragraph; they appear on the book itself, one on the back cover and the other two just inside the front cover; they appear on the publisher’s web site, and they appear on the web site’s of booksellers, and they appear (just one, or maybe all three) on posters and flyers for release parties and readings and appearances…

Three simple statements for which I am incredibly grateful, and which I share endlessly, and boast about loudly, and yet collectively they constitute (for the first-time novelist…you know, me) one of the greatest sources of anxiety in an emerging writing career.

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These types of statements, known in the writing/publishing/editing industry as the genre of the “blurb,” feel–to readers–as commonplace and simple as the book description itself. Perhaps they’re borderline invisible, taken  for granted in the same way that we often take for granted excerpts of movie reviews on DVD boxes. “Of course there’s a critic out there who liked the movie,” we say, and our eyes glaze over the quote.

But–to writers/publishers/editors–the blurb genre is not something to be glossed over. It’s a genre that evokes strong feelings, and it’s endlessly complicated and (maybe I’m just a nerd here) endlessly curious.

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As unassuming as the blurb seems, many find it to be absolutely vital to establishing a book’s credibility. It is an ethical appeal (ethos, they say in the composition classroom), with the blurbing authors lending the totality of their brands to this newly published book. Sometimes the reason is obvious: Peter Straub (an esteemed and celebrated horror author) writing a blurb to endorse newcomer Benjamin Percy, authors of similar content or subject matter speaking just a few sentences and propping one another up (a la Bill Clinton and Barack Obama).

Sometimes the connection is not always obvious. Looking at my bookshelf, the spine of Joshua Ferris’ Then We Came to the End (a humorous but deeply empathetic look at lives in an advertising office) shows a quote from Nick Hornby (“Terrific,” he says, and it’s easy to see why his endorsement is so important, since Hornby writes humorous but deeply empathetic novels) and also Stephen King (“Hilarious,” King writes). But wait…when was the last time you picked up a Stephen King novel and thought “This one is going to be a laugh riot!”? In this case, perhaps the publishers were looking to reach a new audience; perhaps the Stephen King crowd could be convinced to step outside their boxes.

Examining the blurb more closely, though, we might also ask further questions: was this blurb for some sort of mutual benefit? Stephen King, after all, began his quest for “literary” (and not strictly “horror”) recognition in the early 2000s, editing The Best American Short Stories and publishing regularly in The New Yorker. He wanted to be known as something more than just an easily dismissed horror writer, and in fact, in his book On Writing he dedicates an appendix to his “reading list” of the past several years…a list that includes a wide variety of genres and shows King as being well-read not just in thrillers and horror novels, but also in literary fiction. Does this blurb help King’s growing reputation as a literary writer? The blurb might have been genuine, but it was a statement that bolstered the brands of both writers.

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This type of thinking, of course, leads you down this dark and difficult path whereby you start imagining “mutual benefits” everywhere, strings pulled, favors called upon, authors weighing whether to lend support based upon whether said support will boost their own brand. There’s an essay by Rachel Donadio from The New York Times a few years back called “He Blurbed, She Blurbed,” which calls into question the “business” of blurbing. This article shows us something far more disturbing than just a favor, though: she highlights a company called Blurbings LLC, which helps authors to find blurbs. Donadio’s discussion of the intricacies of the blurb business are far more nuanced than my own ramblings here, as she interviews editors and agents to get their take on whether blurbs are truly “worth it,” with some of them answering wearily that a moratorium should be placed on blurb-hunting. Destroy the genre!

Brad Listi, on his Other People podcast (which I listen to religiously, and which–strangely–seems to touch on topics just as I’m dealing with or pondering them in my own life) spoke at length about his own experience in blurbing. For his debut novel, Attention. Deficit. Disorder., he was honored to receive a blurb from poet-junkie Jim Carroll of Basketball Diaries fame. Listi allowed himself to imagine a life in which he became friends with Carroll, and (his mind drifting to fantasy) the two of them hanging out in LA with Leonardo DiCaprio and Mark Wahlberg (from the film version of the book), a whole new life stemming from Carroll’s blurb that Listi’s novel was “a perfect book.” Listi, however, never met Carroll…and now doubts that Carroll ever read the book at all, the blurb instead the result of Carroll’s editor giving a favor to Listi’s editor. The realization (on the podcast) is depressing, especially since Carroll is now dead, and really there’s no chance to ask and to learn the truth.

Clearly it’s a damned-if-you-do-damned-if-you-don’t proposition. Get a blurb, and there will be some inherent distrust over why the authors are listed on your book cover (just a favor?); there will be questions over whether they even read the book, or whether it’s all just marketing and advertising and branding, and whether there’s any honesty whatsoever in the entire blurbing game. But if you don’t get a blurb? Well, now your book looks barren. Now it looks as though you have no one who will step up and endorse you. You are a resume without references. You are a movie that has “not been screened for critics.” You could have the best book ever written, but somehow the omission of the blurb–the unassuming, innocuous blurb–is a glaringly obvious reflection of your book’s terribleness.

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So anyway. These were the thoughts on my mind as I imagined the blurbs I would seek, the authors I would ask.

My publisher actually told me that I didn’t need blurbs. “I’ve never bought a book based on a blurb,” he said.

Maybe that should have been encouraging? Maybe he was trying to relieve my anxiety? I don’t know. All I could think, though, was that some readers do put a lot of stock in the blurb. For a first-time novelist, at least. Nobody’s buying Philip Roth based on a blurb, probably, but if a reader is intrigued by my book, my first novel, and then they see Stephen King’s “Hilarious!” on the cover, maybe that pushes them over the edge and the reader gives me a chance?

(No, Stephen King did not call my book “hilarious.” But you’re free to believe it if you want!)

So I had to have blurbs. Really, it wasn’t even a question. If they helped me to reach new readers, then I needed them. It took me seven years to write and publish the damn novel, so I wasn’t going to skip out on this one last little step.

But blurb requests (no matter what) are favors, a request for someone else to read and evaluate your work and then (potentially) offer a statement, and I hate asking people for favors. When I ask a favor, I feel like I’m basically saying “Your time is less valuable than mine,” and/or “I want something from you for free,” which I know isn’t always the case…but that’s what I’m always thinking, at least…I’ve spent a lot of time over the past decade (ever since I started grad school) building relationships with writers I appreciate and admire, getting to know other authors and becoming a part of a larger literary community where we lend support and share advice and commiserate, etc., and when you start asking for favors, you can put a lot of strain on those relationships. You can come across as a “user,” someone who takes and takes and builds up a ridiculous credit card debt but never makes a payment. I mean, my novel is 450 pages: requesting blurbs meant that I would be asking someone to read a brick-heavy book that would consume several weeks of their lives, and to then write really nice things about it so that I could capitalize off their name/work.

Not to mention: what if I started asking other authors to read and blurb my work, and they responded simply with “No thanks, I don’t really like your work.” (Or something more polite, but still equally deflating.) That was a devastating thought, to be rejected once again even as I was about to be published.

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I still find it remarkable that I found three authors–David James Poissant, Lindsay Hunter, and Alex Kudera–who think enough of me to not only read my work, but also to have written blurbs for me that are so perfect that I can nearly recite them all by heart.

I’ve never met Alex face-to-face, though we’ve corresponded for awhile because I’ve been (for a couple years now) enamored of his novel Fight For Your Long Day. I only worked one semester as an adjunct instructor (the subject of his book), so I’m not completely immersed in the lifestyle his book describes, but still, it’s a piece of social commentary about our university culture that needed to be written, and he rendered it perfectly.

longday

And Lindsay Hunter? She’s emerging as one those “voice of our generation”-type writers. And she had her own new book to worry about (it should be released in the next couple of days), and she just had a baby (she read my book and wrote the blurb in the weeks before her delivery; her blurb labels me a “badass,” but seriously, Lindsay’s the true badass here).

hunter-cover

And I’ve written enough about David James Poissant in my “Reading Books While Burping My Baby” column that he probably thinks I have a creepy man-crush on him, so I’ll hold off on further praise here…(except to say that I can’t wait for his short story collection to be released next year).

animals LM Cover

All the arguments over blurbs. All the anxiety. All the nervousness, the internal/external debate. The articles I’ve read, the spines and dust jackets I’ve studied. The fear over asking for favors. And what, in the end, am I left thinking? What am I left feeling?

Happiness. Seriously: I complicate and over-think everything, but I feel only happiness of the most uncomplicated sort. Gratitude that these authors lent me their names and their talents, yes, but every time I read those blurbs and see those names: just pride and happiness. Poissant read my book twice, in fact, and remains the only person to have read the original draft (my MFA thesis, which he checked out of the UCF Library) and the final manuscript. And–knowing that I really have no return favor I could possibly offer him–he said amazing things about my book, and then made it a point to send another email to reassure me that he meant every word. How can that not make you happy?

I have a feeling that, should I become further immersed in the world of publishing, blurbing might eventually take on the slimy, you-scratch-my-back-I-scratch-yours feeling outlined in the article I shared. It might feel ickier and ickier, and maybe dishonest, with each new book or each new publisher or each new blurb or whatever. Maybe in twenty years I’ll wonder whether an author actually read my book before I blurbed. But right now, no matter what any reader/writer/editor/publisher thinks of those statements on my book, those blurbs make me feel like I’ve made it…like I’m a real author, with a good book to share with the world…who wouldn’t believe it, after all? Those are some incredible authors who have told you so.

New e-book collaboration with Lindsay Hunter!

The folks over at Artistically Declined Press have been doing some great things in print and online, including a full catalogue of short pdf e-books. All are free, and all can be easily downloaded and then added to your Goodreads shelf.

Recently, I was able to do a comic collaboration with the always-entertaining Lindsay Hunter (scroll down on my blog and you’ll find a “review” I wrote of her book Daddy’s). The story is called “Kitty,” and I tried to adapt it into a children’s book, with the main character looking almost like a Dr. Seuss creation. He’s not quite human, not quite dog, not quite bear…just sort of fuzzy and odd. But because Lindsay Hunter writes some gritty (and sometimes dirty) stuff, I thought I’d make the children’s book extra-dirty too. So it’s a one-of-a-kind collaboration and comic, a dirty twisted filthy children’s book that you would never want your children to read.

Check it out at Artistically Declined! Remember, it’s a free download, and you can add the book to Goodreads and write a review.

Kitty

(If you’ve only stumbled across this site because I write about Eminem, do me a favor and support some of my other work. It’s just a quick click and download. Costs you nothing, and you’ll hopefully be entertained!)