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Into the Wild
It’s taken me a little while to process my thoughts on “Into the Wild,” which (I suppose) is another way of saying that it’s a complex movie about complex characters without any single clear message. The very best literature avoids easy answers, opting instead for questions, and “Into the Wild” definitely fits this mold. It…
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“Inception”: is it good to be the most “talked-about” movie of the summer?
I always think it’s fun to try to understand why certain critics would make certain comments in their reviews. “Toy Story 3,” for instance, has a 99% fresh rating on rottentomatoes.com, which means that there were just 1-2 critics who gave it negative reviews (full disclosure: I haven’t seen it…but if you’re the only one…
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Can the Mockumentary Truly Work as Good Fiction?
From a technical standpoint, “Death of a President” is a remarkable little film, the “mockumentary” of what might have happened had the anti-war and anti-America movements in the U.S. and abroad led to actual assassination attempts. The film commands a modest budget, but is still able to manipulate real footage of key political figures in…
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Superhero Movie Rules, Wolverine-Inspired
Some things we can learn from “X-Men Origins – Wolverine.” (1) Most superhero franchises seem to die at their third installment, as the producers toss so many characters into a single film in some impatient and misguided effort to sell more toys and generate more interest, etc., and the script collapses under all of this…
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What Makes a Great Adaptation?
It’s been awhile since I’ve seen a film adaptation of a novel that really engaged me. Usually, I’m bored out of my mind, no matter how technically “well made” the movie actually is. I know what’s going to happen, and I know how the characters are going to react, so why can’t we just get…
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“Iron Man 2” as Post-9/11 Literature
Back when I saw the original “Iron Man,” I called it the first major example of “Post-9/11 Literature,” the first book or movie that was not actively attempting to document our feelings about the fall of the World Trade Center and the War on Terrorism and the War in Iraq and the Quagmire in Afghanistan…but…
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Middle-Class Guilt and “The Blind Side”
When I first saw the trailers for “The Blind Side,” I thought it was a joke. Sandra Bullock as a rich white lady who helps an under-privileged gigantic black boy to become a successful football player? After I realized it was serious, it just seemed like it would be a blatantly offensive story. Never mind…
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Shopaholic: The Rise of the Chick Flick
I once read a Roger Ebert in which he made an interesting distinction between a “family movie” and a “children’s movie,” arguing that some films are great because they *do not* attempt to cater to an entire family, but instead speak solely to the children. Some family movies, he said, get so caught up in…
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“Iron Man” as 9/11 Literature
I originally wrote this quick review on the night that I saw “Iron Man” (way back in 2008), but I figure I’ll see the sequel soon, so we’ll see if some theories on 9/11 Literature are furthered… What’s great and interesting about “Iron Man” is that it marks a cultural turning point. We’ve snapped. For…
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Inglorious Basterds, and Tortured Revision
I really wanted to like Inglorious Basterds, particularly because each of Tarantino’s movies before this (with the possible exception of the mind-numbingly slow Jackie Brown) surprised me in some new and exciting way. When you watch Kill Bill, you can feel the energy pulsing from every shot, every scene, and when you watch Reservoir Dogs…